Do Not Share Your Code
Yesterdays Security Codes in an Abandoned Community Notice Board
Yesterdays Security Codes in an Abandoned Community Notice Board
(click on images for gallery view)
The art in room 420 was a bit boring…so I took it down and replaced it with my new photographic work…made in the hotel room. I hope the next people that stay there like it.
when you do print making you don’t tend to get death threats, or the microphones don’t break or audiences don’t hate you…
So I’m going to be a printmaker.
New Series available soon called “Possible Escape Routes Out of Here”
available soonish
‘Beautifully, intricately assembled – and very funny’ ★★★★★ The Guardian
SOHO THEATRE LONDON 15 March -8 April 2023
More European and UK dates to be added.
for those on low / unwaged I can give you a code for £10 tickets. DM me for details
The original soundtrack to Lullaby for Scavengers by Stephen & David Dewaele (aka Soulwax /2manydjs) is now available on a limited-edition cassette (with an exclusive download code) via their DEEWEE record label. Copies can be ordered and collected at Soho Theatre, during the run of Kim’s show.
The original soundtrack to Lullaby for Scavengers by Stephen & David Dewaele (aka Soulwax /2manydjs) is now available on a limited-edition cassette (with an exclusive download code) via their DEEWEE record label. Copies can be ordered and collected at Soho Theatre, during the run of Kim’s show.
Tescos Express Kentish Town
Tescos Express Camden Road
Sainsburys Local York Way
Morrisons Peckham
Keith (an unfinished study of a cashier left on the shelf where he works/worked)
Morrisons Camden
(article original published in Draff Magazine)
There comes a time in every man’s life where one has to face facts: they have to attend a Q&A session. For some this comes at a theatre, for others it may be a cinema screening or conference hall. It might even be online via the World Wide Web.
It’s a right of passage moment and aren’t that the truth.
And it doesn’t matter if you are on the side of the audience/questioners or trying to provide the Answers from stage – Question and Answers Sessions suck balls. And anyone who says they are interesting or useful is wrong. In fact, I’d go some way to already hating you. I’m going to throw ‘feedback’ sessions for scratch performances into this mix too. I hate you. They should be banned.
The undercurrent of this irrelevant fixation is my ineptitude and loathing of having to stand alongside my work and discuss it. I leave that for others. Of course art needs to be discussed, thought over and debated. (Otherwise DRAFF magazine wouldn’t exist and we can’t have that). But please do it in your own free time. Like you’re doing right now. But not on a stage right after a show/film/reading/performance. It demystifies the whole art piece that you’ve just witnessed, akin to a magician explaining his trick while he’s smashing your watch under a red handkerchief (actually I’d like to see that. Bad example.)
I’ve recently been involved in making a theatre piece called Wildlife Fm with Campo along with a Belgian director (who has amazing hair) and a cast of nine young people. With Pol, the director, having returned wisely to the EU straight after the premiere, I was asked by the theatre to sit in on the Q&A alongside the youngsters. Mother F*****! was my initial reaction.
I asked a few of the young folk what was actually going through their brains during the Q&A (a few thoughts below).
Of course we’re all given a choice to leave, we are lucky to live in a democratic society. (In North Korea I believe its state policy to force all adults between 18-21 years of age to stay behind in a theatre just in case there’s a Q&A.) But sometimes one is obligated to attend.
People who attend these sessions tend to be divided into two distinct camps:
1/ Those that attend and ask questions (these people I really despise). Normally the question is never actually a question but an ill-thought-through, sycophantic string of words that goes on and on and on. Get your own freaking show mate if you want the attention!
2/ Those that feel obliged to be there because they vaguely know someone in the show and it might seem rude to leave but they’d rather be at the bar and with each question the chest pain becomes increasingly worse.
was delighted to be sent this badge of honour. from a learn german app.
its worth more than a degree nowadays.
(i used to be proud of being English.
now I’m just disgusted.)
i realise this will be read by mostly sympathetic https://www.viagrapascherfr.com/vente-de-viagra-pas-cher/ readers.. ..but for those of you who voted for hatred and bigotry..i’d like a word with you cunts. No really.
my time living in Munich is nearly
up and I’ve had the fortune of working with some great artists on various projects including this one.
if you’re in Munich, Bangkok or NewYork you may even see it.
byyeeeeeeeeeeeeee.
reply…and enclosed photo….
John, the lorry driver from manchester, has been invited to the show on 12th march in manchester….he has yet to respond. so theres a chance i may or may not be beaten up during or afterwards. Something to look forward to.
You’re Not Alone then travels to Belfast & Munich….with other dates to be added…soon-ish
Tickets for manchester